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Precise instructions for whatever is currently on the screen. Has its own menu as well, where the student can instantly find clear and
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The Instruction Manual (bothĬontents and Index) stays on the menu bar at all times, and each activity Historical essay about them in the textbook). Modern Equal Temperament all the way back to Pythagoras, and an excellent Temperament (there are no fewer than eight tunings available, from the Parameters as well, such as tempo, volume, instrumental color, and even Teachers can vary the activitiesĪnd exercises at will or even create their own. The teacher has a special user file that grants access to instructor
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Individual files for each student, with evaluations, scores and grades. Screen uses the same symbols/staff/keyboard layout as the remainder ofĪs with many other programs, Practica Musica can be set up with Orchestra Writing (which can use multiple staves). Symbols, Composition (free writing with treble and bass staves), and "Write Your Own Music", with submenus of 2-part, 4-part, 4-part with Indicates that "one needn't be limited to the mouse the computer's letter Impossible-a separate keyboard here is a must. Syncopations, and doing them correctly in tempo with a mouse is virtually Some of the ear training exercisesĪre ingeniously difficult, often with awkward intervals and tricky Similar harmonic usage in Mozart), irregular accents and rhythmic patterns,Īnd similar university-level matters which presuppose a fair amount ofįamiliarity with the musical language. Orchestra scoring, harmonic analysis (e.g., comparing Blues progressions to In its advanced stages it gets into two- and four-part composition, Practica Musica is a very sophisticated and well-organized learning
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Individual drags and drops of the mouse, plus some options on the computer It, one must place notes, accidentals and other signs on the staff with Since all notation is generated on the staff directly from playing.
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Though no external keyboard is supplied, connecting a MIDI keyboard to yourĬomputer is not only compatible with the software but far more convenient, Substituted) the musical staff at the top, with directions and evaluationsįor each activity and the various signs and symbols to be selected in the Plain or with letter names on the notes (a guitar fretboard may be Screen remains essentially the same: a five-octave keyboard at the bottom, There are more than eighty customizable activities, and in all of them the The format of the screen display is simple and consistent. Hand, while the activities menu follows closely the textbook chapters and
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Illustrate, or offer appropriate activities and exercises for the matter at
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Text, there are references to the corresponding screens which augment, That the two compliment, rather than imitate, each other: throughout the This is not to say, however, that the combination of printed text andĬomputer software is awkward in any way. Program and book developed side-by-side." Paper (in the Preface the author, Jeffrey Evans, notes, "Certain tasks,Īfter all, are best done by hand.") According to Mr. There are, in fact, exercises meant to be written on Practica Musica is accompanied by a full-sized theory textbook some 3/4 ofĪn inch thick, complete with copious examples, historical essays, andĬould be used by itself with an ordinary piano. Views as to the appropriate audience for the product were similar to those Note: A second reviewer examined Practica Musica for PEP.
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